The Best GoPro Underwater Settings – Tutorial & Tips | Hero 9, Hero 8, Hero 7

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I would say that sooner or later most of uswant to use a GoPro underwater, whether it is for diving, snorkeling, rushing or juston a simple vacation by the sea. Today I’m going to tell you how I would setup a GoPro for underwater shooting. I’ll evidence you this using a GoPro Hero 8. But almost everything I’m saying today basicallyapplies to all other versions of the GoPro as well. In addition to the settings, I’ll give yousome general gratuities for optimal underwater chronicles. And in case you’re new here: my honour is Werner, I live in Italy and on this canal I’m doing tutorials and re-examines on filmmaking, GoProand also on other customer cameras. And in any case you will see a lot of beautifulimages of nature on this direct. Consider subscribing if you are interestedin these topics and have fun with this video.When it comes to camera rectifies, it is importantto remember that there is not the one perfect setting that is optimal for all situationsand for all predilections. So today I will too try to explain the differencesand advantages and handicaps of the different possible directs. On the Hero 8, you are eligible to prepared presets for differentsituations. For the above reasons, I will start by creatinga new preset for underwater recordings. But that’s already the most difficult differenceto older explanations like the Hero 7, at least when it comes to the deep-seateds for underwatershots. If you want to set up your camera optimally, “youve got to” first think about the right resolve and formulated proportion. These two decideds should generally be consideredtogether, as the possible designates for the frame pace depend on the resolution. As far as the resolution is concerned I wouldgenerally prefer 4K for underwater registers. The GoPro offers the best quality and mostimportantly, you can crop the idol better in Post if necessary. For example, if you captivate an interestinganimal and want to enlarge it in pole, then it is an advantage if you have chosen thebest possible resolution.I would only deviate from 4K if your PC hasdifficulties with processing the documents. It is a bit more difficult now to choose theright formulate charge. Naturally I shoot all my videos in 25 framesper second. 25 because I live in the PAL region. In the Position that would be 24 formulates persecond. These low-toned chassis paces create a very cinematiclook. This tutorial here was also shot with 25 framesper second. But for underwater recordings I would deviatefrom these enclose proportions and elect a higher frame rate. A higher make proportion of 60 encloses per secondlooks much more fluid and therefore composes a more realistic and natural inspection, and I thinkthat such a search is better suited to capture the underwater world. The combination of 4K and 60 formulates per secondhas a number of advantages. You get the best possible image quality, youcan crop the epitome in post. You’ll get wonderfully natural search shotsand if you want to use individual clips for a bigger project, such as a travelling video, you can create slow motion at 40% when your assignment is created using 24 makes per second.Slow flow can be advantageous under certaincircumstances. It helps to stabilize the clip and if youwere only able to create a very short clip of an interesting moment, perhaps a specialfish, for example, you can use slow motion to extend the shot. Regrettably the combination of 4K and 60 formulates per second also has a number of weakness: The GoPro in this case uses the HEVC codec. This is basically no problem. But there is a requirement to a fast computer to playback andprocess the registers smoothly. If “its a problem” in your bag, you coulduse 2.7 K/ 60 as an alternative. On the Hero 8, the improved stabilisationmethods High and Boost are also not available in 4K/ 60. However, in my view, these do not playsuch a decisive role when shooting underwater. Another important hardship of a high framerate is that it is not as suitable for low-pitched light-headed status. This can become a problem especially if youuse your GoPro for example for diving and want to shoot in very deep waters. It can get certainly dark and you should considerusing a lower formulate rate. 30 frames per second would be a good compromise. The cause searches more fluid than with 24 framesper second and the GoPro goes more light-colored. Now let’s look at the other establisheds. As digital lens or field of view I use wide. There are hardly any straight lines underwater. The aberration of the GoPro Fish Eye Lensis almost not observable. In my seeings, there is therefore hardly anyneed to use linear, since this would also lead to a crop. I know that some people like Superview forunderwater shots. In the case of Superview, the GoPro uses theentire 4:3 sensor and then pulls the left and right hems to get a 16:9 likenes. This rise the field of view at the topand bottom. Basically this is an interesting option. However, Superview is not available in 4K/ 60. There is also a very strong distortion atthe edges, which sometimes looks a bit strange when shooting underwater, peculiarly whenthe camera is moving sideways. I leave the hypersmooth stabilisation at ON. High and Boost are not available in 4K/ 60, as referred to. As for the Protune prepares, I ever usethe BitRate standard. I am aware that a high bitrate should generallybe better.However, I have built several similarities, even in low light-colored and with colour grading, and could not check any evident inconsistencies. However, the enters will be much larger ifyou prepared the bitrate to high. I leave Shutter on Auto. I named Exposure Value Compensation to -0. 5. Thisway you frustrate colors areas in the epitome from burning out. This can also happen when shooting underwater, for example when the liquid skin-deep is visible at the top of the portrait or the sunbathe is shiningon objectives. As for the lily-white match, I must say thatthe GoPro’s automatic white-hot symmetry actually works quite well underwater. One has to consider that this special environmentis very demanding for the camera’s automatic. In fact, in certain cases the result is notperfect.It can also happen that the automated changesthe lily-white balance during the recording, which could ruin your shot. To foreclose this, you were able to prepared the white-hot balanceto native. This will define the white-hot counterbalance and the camerawill store more information for adjusting the lily-white balance in post. This means that you still have to adjust thewhite balance in berth, but there is more room for readjustment than with the automated establish. So if you’re willing to correct the whitebalance in post and always want the highest possible cause, opt native. In all other clients use the automated whitebalance. The ISO value judges how sensitively thesensor reacts to incident light. The higher the ISO value, the brighter theimage is likely to be. However, a high ISO value likewise begins noiseand therefore reduces the epitome aspect. With a GoPro, the persona noise is clearly visiblefrom an ISO value of 800. For the above reasons I specified ISO minimum to 100 andISO maximum to 400. If you dive very deep and it gets very dark, even 800 can still lead to an acceptable idol. From 1600 on I fantasize the image is no longerusable. I ever adjusted the sharpness to LOW. High leads to a very sharp image. However, it doesnt mean that more detailsare captured. Instead, the camera supplements digital sharpness. The cause does not look very professionaland not particularly cinematic. You are also welcome to supplemented sharpness at any time whenediting. If you don’t want to edit your videos andLOW appears too soft for you, you can also use medium. In terms of complexion, the GoPro setting createsa nice saturated and contrasty gaze. If you crave a little more flexibility in postand want to grade the pigments yourself, you are eligible to positioned the colour to flat. Flat causes in an unsaturated idol withlow contrast. Therefore, if I want to achieve the best solutions, I use flat and adjust the colours in berth. If I want to use the times immediately, I useColor GoPro. Apart from the lays, I would like to giveyou some general gratuities for your underwater logs with a GoPro.Normally you try to keep the camera as steadyas possible for a good shot or create some interesting camera shifts as stable aspossible. Under water this automatism seems to be disabled. There is always something new to discover, fishes move fast, so you move the camera very fast back and forth. The upshot are often bad and uncertain shots. Therefore try to keep the camera as steadyas possible even under spray and oblige slow camera shifts now as well.It be little doubt that particular supplementaries suchas fins are of great help to achieve a smooth forward movement. As for the GoPro supplements, I usually usesuch a simple Floating Hand Grip as a organize. This one comes with an accessories package. It moves and the yellowed pigment constitutes it easyto find in the spray in case the GoPro should fall out of your hand. But there are of course likewise better standaloneversions like the handler by GoPro. You can also use a waterproofed pole, whichis more suitable if you want to film yourself, for example. If wishes to dive deeper you are able to purchasean additional protective residence. With this you can dive up to 60 meters deepand you can also mount filters that give you better and more saturated dyes for yourunderwater shots. For these and other accessories that are usefulfor shooting underwater, you can find connects in the video description. If you want to change the settings underwater, for example when diving, you mostly have their own problems that the touch screen cannot beused.However, certain positions can be adjustedusing the figurehead screen. To do this, press the Mode and the Shutterbutton simultaneously. A small menu appears on the front screen. Depending on the account of your GoPro, youcan change different settings here. On the Hero 8, for example, you can changethe preset. You should also keep in mind that the lightis crucial also for a better quality of your underwater registers. So you will get better shots with your GoProin shallow water with good light-colored than in very deep water with little light-headed. Of track, it’s clear that you might be ableto make more interesting shots in deeper arenas. So Let’s summary the most important statementsof this video in a few decisions: About the gives: 4K for the best quality and 60 formulates per second for the most natural gazing shots. 30 makes per second if there is little light-colored. Wide as Field of View. Hypersmooth onUnder Protune Bitrate Standard, Shutter Auto, Exposure Value Compensation -0. 5, White BalanceAuto or Native if you want to adjust the colors in affix, ISO Min 100, ISO Max 400, SharpnessLow, Color GoPro or Flat if you want to color grade your videos afterwards. Also, make sure to keep the camera steady, help a good mitt grip that hovers and don’t forget that light will be the deciding factorfor good shots even when shooting underwater. And that’s it for today. If the video was interesting for you, giveme a Like as feedback and told you next time !.

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